Birds have become a recurring presence throughout my work—not as decoration, but as a visual language.

Architectural reliefs allow sculpture to become part of the space rather than simply occupy it. I approach each piece as a dialogue between form, surface and architecture, designing works that interact with light, texture and the surrounding environment.

Every artist has a place where their work truly begins.

Mine wasn't a spacious studio or a perfectly equipped workshop. It was a small cellar, where I first discovered that clay could become more than a material—it could carry memory, emotion and meaning. Those early days were quiet and uncertain, but they taught me the value of patience, persistence and the slow rhythm that ceramics demands.